![]() Throw any preconceptions you have of distortion away! As the only phase distortion on this list, Temper is a bit confusing at first glance. More info: Krush (VST/AU) Temper by Creative Intent (MacOS, Windows) For electronic styles and sound design, this plugin absolutely crushes it. Finally, there are dry and wet sliders to set the overall balance. You can sync the modulation to the tempo of your session as well, taking out some of the guesswork. The second row of parameters offers modulation controls for the distortion and filter settings, as well as a waveform selector and Rate option. There is also a Filter section that features low-pass and high-pass options with controls for frequency and resonance. Crush sets the bitcrusher controls and can sonically annihilate any signal, while the Downsample control is excellent for creating chaotic 8-bit sounds. Drive adds a more traditional distortion, and this parameter applies pleasant amounts of saturation throughout its entire range. It offers three simple controls to set the type of distortion – Drive, Crush, and Downsample. If you’re looking for something more extreme, then try Krush, a multi-faceted bitcrusher. More info: FuzzPlus 3 (VST/VST3/AU/AAX) Krush by Tritik (MacOS, Windows) If sonic annihilation is your thing, be sure to check out the amazing Rough Rider compressor which was also developed by Audio Damage. It is not extremely accurate, but it does give you a general visual representation of how your signal is being affected.įuzzPlus 3 is a terrific option for sonic annihilation, and while its usefulness is a bit esoteric, it can add some unique flavor to your tracks. Visually, there is a spectrum analyzer that shows you the amount of clipping of the waveform of the signal. ![]() You can set the specific Frequency and Resonance (the amount of frequency boost) of the filter section, the amount of Distortion, and at the output section – the amount of Feedback and Output Level. The FuzzPlus 3 sports a sleek interface with five simple control parameters. You can even feed the processed signal back into the “circuit” for more creative options. It offers a low-pass filter, Audio Damage’s take on the same found in the Korg MS-20 synthesizer. While many of the options on this list lean more toward saturation and straight up distortion, the FuzzPlus 3 sits directly in fuzz territory, as the name implies. Your tracks have a lot to gain.įuzzPlus 3 by Audio Damage (MacOS, Windows) So if you are looking for some new ways to play with distortion, give some of these plugins a shot. Now distortion plugins fall into many categories: multi-band and phase distortions, bitcrushers, hardware preamp emulations, dynamic distortions, you name it. It used to be that gain and volume were pretty much the only parameters that distortion plugins offered, but those days are gone. While distortion plugins used to be somewhat one-dimensional, they have come a long way and have gotten a lot more elaborate. See also: Best FREE Transient Shaper VST/AU Plugins!
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